Every open call season,
a solo show
and nine featured artists
/ fall solo exhibition slot has been awarded to:
Zoe Vassiliou, with William Wolf and Hanwen Wang as alternates.
/ special thanks to:
Charlie Allen
Your support directly funds artist stipend and visibility.
New Call
is now open for applications.
/presented artist: Zoe Vassiliou
Sleepwalker focuses on the darker emotions we feel, especially the ones that creep out at night. I am looking for that hallucinatory tension one feels between sleep and wakefulness. As a child I always thought dreams were projections in your brain that would play like a movie on the back of your closed eyelids. Memories laced with bizarre and inexplicable details fueled my imagination, challenging me to distinguish reality from fiction. Ever since photography found me, I channeled those conversations with my subconscious into something cinematic.
I want my photographs to express a state of delirium, mysteries within and beyond the frame, dangers, dreams, and the unforeseen. My models are photographed mostly after twilight, in dilapidated settings, or in locations as simple as their own bedrooms. I emphasize architecture, topography and situation, and incorporate unique lighting, whether from streetlamps, the moon, or unexpected flashes. I aim for macabre expression and choreography to evoke an almost paranormal or alien- esque storyline. I want to merge my attraction to the landscape with a sense of being stalked or haunted by the space you’re in. I hope to embrace the more fraught side of my psyche, and honor it, because even the difficult and upsetting feelings we have can be morphed into something beautiful.
It was a pleasure exhibiting my work with Uncool Gallery; it was an excellent platform to present and contextualize my research into a physical exhibition. The gallery encouraged meaningful dialogue between artistic practice and technical representation, while positively promoting the intent and identity of the work. The team at Uncool Artist and collaborator Lista Studios created a welcoming, professional, and thoughtfully supportive environment that supported both the installation and the artist in their development efforts. The experience fostered valuable conversations around the body of work and encouraged direction in its further conception. I am grateful for the opportunity to share this work with such a diverse and attentive audience. I greatly appreciated the dedication to care and quality throughout the entire gallery showing process.
Campbell Brod — selected artist for the Spring 2026 solo show.
We received 170 thoughtful, compelling proposals. Thank you to all artists who applied.
Scroll down to know all the artists in this cohort.
Above and Below (Material Mutiny series), 2025. Hand-carved wood, 3D-printed resin, and acrylic paint. 21 × 19 × 12 in.
All That is Underneath (Material Mutiny series), 2025. Hand-carved wood, 3D-printed resin, and acrylic paint. 26 × 18 × 12 in.
Lava and Water (Material Mutiny series), 2025. Hand-carved wood, 3D-printed resin, and acrylic paint. 19 × 21 × 14 in.
Hazards (Material Mutiny series), 2025. Hand-carved wood, 3D-printed resin, and acrylic paint. 14 × 10 × 6 in.
Tides (Material Mutiny series), 2025. Hand-carved wood, 3D-printed resin, and acrylic paint. 17 × 14 × 7 in.
Roses (Material Mutiny series), 2025. Hand-carved wood, 3D-printed resin, and acrylic paint. 27 × 15 × 8 in.
Guides (Material Mutiny series), 2025. Hand-carved wood, 3D-printed resin, and acrylic paint. 18 × 16 × 11 in.
Trópico de Cáncer. C de Comprender (C for Combat), 2025. Glazed hand-built ceramic, custom-made steel structure. 6 × 12 × 8 in.
On The Forgetting of Language, 2026. Ceramic, glaze, custom-made steel hardware, approximate place of articulation, print, pins, archival mulberry tape. Variable dimensions (75 × 50 × 3 in. minimum).
Pues aquí ser es llamarse (Here, to Be Is to Be Named), 2026. Bisqueware, encaustic wax, oil paint, death fly. 28 × 18 × 14 in.
C for Care, 2025. Hand-built glazed ceramic, blanket, welded metal structure, poplar. 16 × 6 × 8 in.
Elsewhere Backrooms; Inventory Room, 2026. Digitally assembled and layered found imagery, archival pigment inks on fine art paper. 20 × 16 in.
Mercury, 2024. Installation. Screen print on fabric, metallic blanket. Edition 4/8 + 1 AP. 230 × 200 cm.
Overflight, 2023. Installation. Chessboard with charred pieces, painted MDF display. Edition 1/5 + 1 AP. 160 × 160 × 50 cm.
The Hours, 2022. Installation. Granite and acrylic spirit-level tube. Edition 3/10 + 1 AP. Variable dimensions (average display surface area: 100 × 100 cm).
The Illusions (Ceci n’est pas un Objet-Trouvé), 2024. Object. Duvet, print on coated paper. Edition 1/10 + 1 AP. 65 × 40 × 53 cm.
Two texts, identical, and right-aligned, 2024. Installation. Indigenous sieves, clay, laser-printed plaque. Edition 1/5 + 1 AP. 40 cm diameter each.
Reversal, 2025. ABS resin, glass non-reversing mirror, chemical wood, acrylic urethane paint. 13.8 × 17.5 × 13.0 in. Not available for sale.
What Icon?, 2024. Glass mirror, ABS resin, chemical wood, acrylic urethane paint. 34.1 × 42.5 × 1.2 in. Not available for sale.
Cups (Please Leave Something Between Us series), 2026. Watercolor, mineral pigments, animal-skin glue, and kaolin clay on paper. 20 × 30 in.
Desk Lamp (Please Leave Something Between Us series), 2026. Watercolor, mineral pigments, animal-skin glue, and kaolin clay on paper. 20 × 30 in.
Chair and Glasses (Please Leave Something Between Us series), 2026. Watercolor, mineral pigments, animal-skin glue, and kaolin clay on paper. 30 × 20 in.
Organizer and Flashlight (Please Leave Something Between Us series), 2026. Watercolor, mineral pigments, animal-skin glue, and kaolin clay on paper. 30 × 20 in.
Calendar (Please Leave Something Between Us series), 2026. Watercolor, mineral pigments, animal-skin glue, and kaolin clay on paper. 6 × 8.5 in.
Lily (Please Leave Something Between Us series), 2026. Watercolor, mineral pigments, animal-skin glue, and kaolin clay on paper. 13 × 9.25 in.
Coffee Cup (Please Leave Something Between Us series), 2026. Watercolor, mineral pigments, animal-skin glue, and kaolin clay on paper. 6 × 8.5 in.
Peaches and Tangerines (Please Leave Something Between Us series), 2026. Watercolor, mineral pigments, animal-skin glue, and kaolin clay on paper. 20 × 30 in.
